Late bloomers in the contemporary music scene offer the most distinctive works, and there are a lot of them who have become popular. Great music is being made by people of all ages today, and age groups here do not relate since most things are available on YouTube and other sites. Some discovered playing late while others started young, stopped and then rediscovered their playing roots.
One of those who have had the longish journey rediscovered his musician self in an open mic hootenanny. From this, he reaccessed the world and made an album distinguished by mature thought and inspiration in Delphinium CD. People who have discovered Dean Maser will be pleasantly surprised by this CD.
Maser has wandered around a bit, and he is entirely within the tradition of American blues minstrelsy, with many greats coming before him. There are many masters, and Dylan has been lately recognized with a Nobel in literature, a conundrum for all American music makers. Maser, though, has skipped into a unique space with a the visual and rural Gothic perspective in this album.
Delphinium is a way into seeing a legend filled world which partakes of spiritualism in the American West and the wide open skies of the Midwestern plains. The title is derived from the flower of the same name, which horticulturists know to bloom late, around June or July. This summer flower is broadly distributed, from the meadows to the uplands of pine.
His family belonged to a church, and it was the kind of music he made with guitars and ukeleles, and Kumbuyah is like a bad dream to him. All the years spent wandering the music world made the affliction apparent, and he has now lived that down and proceeded to discovering real spirituality. He says how high school made him drive for the works with a 3 song record that no one know will ever hear.
The artist blogs, too, and it is titled The Good Ancestor, a deep trawling of his musical roots and influences, imagined or otherwise. This is personal music history musicians should know. Thus this artist has fully awakened by taking in everything, and this is something reflected in this first full album.
He has also come into his own with the blues, and he and his band of traveling players named SoulShine are readying an eclectic album of this kind. Their influences range from Johnny Cash to ZZ Top, from Hendrix to Clapton, Dylan and BB King. And people should watch for it, because Maser and his group are seasoned musicians playing as a classic trio.
From Boston to Minneapolis, he has recorded this new album with musicians from Africa and North Dakota. He is taking a stand for all kinds of influences that have become native to his work. However, all the elements that make up the Blues as it was first sung to Old Man River himself are there, evidenced in songs of the album.
Titles in the album include Strong Love, Heroes, Heart Be True and One Time. The list also features the title track, A Little Older and The 1 Second Miracle, which are excellent takes on the tradition. And De Blues is nothing if not traditional, about all things Christian and Biblical inspiration on American soil, about feelings so vast and deep that only tears can express them.
One of those who have had the longish journey rediscovered his musician self in an open mic hootenanny. From this, he reaccessed the world and made an album distinguished by mature thought and inspiration in Delphinium CD. People who have discovered Dean Maser will be pleasantly surprised by this CD.
Maser has wandered around a bit, and he is entirely within the tradition of American blues minstrelsy, with many greats coming before him. There are many masters, and Dylan has been lately recognized with a Nobel in literature, a conundrum for all American music makers. Maser, though, has skipped into a unique space with a the visual and rural Gothic perspective in this album.
Delphinium is a way into seeing a legend filled world which partakes of spiritualism in the American West and the wide open skies of the Midwestern plains. The title is derived from the flower of the same name, which horticulturists know to bloom late, around June or July. This summer flower is broadly distributed, from the meadows to the uplands of pine.
His family belonged to a church, and it was the kind of music he made with guitars and ukeleles, and Kumbuyah is like a bad dream to him. All the years spent wandering the music world made the affliction apparent, and he has now lived that down and proceeded to discovering real spirituality. He says how high school made him drive for the works with a 3 song record that no one know will ever hear.
The artist blogs, too, and it is titled The Good Ancestor, a deep trawling of his musical roots and influences, imagined or otherwise. This is personal music history musicians should know. Thus this artist has fully awakened by taking in everything, and this is something reflected in this first full album.
He has also come into his own with the blues, and he and his band of traveling players named SoulShine are readying an eclectic album of this kind. Their influences range from Johnny Cash to ZZ Top, from Hendrix to Clapton, Dylan and BB King. And people should watch for it, because Maser and his group are seasoned musicians playing as a classic trio.
From Boston to Minneapolis, he has recorded this new album with musicians from Africa and North Dakota. He is taking a stand for all kinds of influences that have become native to his work. However, all the elements that make up the Blues as it was first sung to Old Man River himself are there, evidenced in songs of the album.
Titles in the album include Strong Love, Heroes, Heart Be True and One Time. The list also features the title track, A Little Older and The 1 Second Miracle, which are excellent takes on the tradition. And De Blues is nothing if not traditional, about all things Christian and Biblical inspiration on American soil, about feelings so vast and deep that only tears can express them.
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