You don't have to be a millionaire to collect good artwork. The pieces you choose may not be old masters, but if they are originals in good condition by interesting artists, your investment may increase in value over time. This being the case, you want to preserve the work carefully to avoid damage and deterioration. There are simple steps any collector can take to minimize the need for the art restoration New Jersey craftsmen provide.
Restorers hate to see artwork on paper come into their shops with mats glued or taped to them. This can cause serious harm to a nice piece, and it is something easily avoided. Professionals warn purchasers of loose pieces not to mount them to mats in any way. Instead they should be hinged to the back mats. Artwork is extremely susceptible to sunlight. Art on paper, such as watercolor, is delicate and will easily fade without protection.
Works done on paper are fragile and must be handled and stored with care. Attics and basements are not good places for pieces that can be easily damaged. Attics are often hot and dry. This type of atmosphere can cause paper to contract and possibly tear. Basements tend to be humid and damp. This is an environment conducive to mold, which can eat away at paper and destroy it.
A lot of the rules that apply to works on paper also apply to those on canvas. These will fade in direct sunlight, and must be framed carefully to avoid damage. These works should never be fixed to a frame in any way. Re-framing a painting is not usually a good idea. It may decrease the overall value, and your choice of framing may not be indicative of the artist's vision.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
Textile piece collectors know that the threads in the fabric can be very fragile if they are not handled carefully and kept out of sunlight. Even if they are protected behind UV glass, strong light can do a lot of damage. It is never a good idea to store textiles in cedar chests or other wooden boxes. Coming into contact with any type of wood will cause staining.
It is very easy to knock over free standing art objects. If they are fixed to a sturdy base, they may have some protection, but it is an even better idea to keep them in an area of low traffic. Large rooms are the best place for statues, vases, ceramics, and other free standing art.
Art collectors usually know how to preserve their pieces. Sometimes they find great work they are willing to have restored however. Once that process is complete, conserving them for future generations can begin.
Restorers hate to see artwork on paper come into their shops with mats glued or taped to them. This can cause serious harm to a nice piece, and it is something easily avoided. Professionals warn purchasers of loose pieces not to mount them to mats in any way. Instead they should be hinged to the back mats. Artwork is extremely susceptible to sunlight. Art on paper, such as watercolor, is delicate and will easily fade without protection.
Works done on paper are fragile and must be handled and stored with care. Attics and basements are not good places for pieces that can be easily damaged. Attics are often hot and dry. This type of atmosphere can cause paper to contract and possibly tear. Basements tend to be humid and damp. This is an environment conducive to mold, which can eat away at paper and destroy it.
A lot of the rules that apply to works on paper also apply to those on canvas. These will fade in direct sunlight, and must be framed carefully to avoid damage. These works should never be fixed to a frame in any way. Re-framing a painting is not usually a good idea. It may decrease the overall value, and your choice of framing may not be indicative of the artist's vision.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
Textile piece collectors know that the threads in the fabric can be very fragile if they are not handled carefully and kept out of sunlight. Even if they are protected behind UV glass, strong light can do a lot of damage. It is never a good idea to store textiles in cedar chests or other wooden boxes. Coming into contact with any type of wood will cause staining.
It is very easy to knock over free standing art objects. If they are fixed to a sturdy base, they may have some protection, but it is an even better idea to keep them in an area of low traffic. Large rooms are the best place for statues, vases, ceramics, and other free standing art.
Art collectors usually know how to preserve their pieces. Sometimes they find great work they are willing to have restored however. Once that process is complete, conserving them for future generations can begin.
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