As you start to learn guitar scales, you begin to know how to progress with your guitar playing. Rock guitar and jazz guitar players who master the music theory that is the foundation of guitar scales do sound better than players who can't think outside the blues box. They sound fluid, dexterous, and professional. And as you learn guitar scales you'll take your guitar playing to another level when you start learning modes. Modes are simply different ways of playing "straight" guitar scales. In fact the "straight" guitar scale itself is "actually" the Ionian Mode! When you learn guitar scales as well as modes, you give yourself a superior knowledge foundation upon which to construct solos and songs.
Among the guitar modes is the Locrian Mode. You might have heard of the Phrygian Mode before, and the Locrian Mode is quite similar to it. In fact, there is just one note's difference. But that one different note means a lot.
Playing in the Locrian Mode, to put it simply, entails starting and ending a solo or lead break on the 7th note of the "normal" scale. This is the scale that indicates the key that you're playing in. So, if you were playing in the key of G, and you desire to play a solo in Locrian, you'll begin and end the solo on the F note. It doesn't matter which octave either note is, it just matters that your very first and very last notes are each an F.
Playing in F Locrian mode is not the same thing as playing in the F major scale. It also means playing in the key of G in a way that is different than it would be if you simply played G "straight" or, that is, G Ionian.
Advanced guitar players love understanding the intervalic relationship between the notes in a mode, as this allows for deeper understanding of how to use the mode. The intervals for the Locrian Mode go like this Root, flatted 2nd , flatted 3rd ,major 4th ,flatted 5th , flatted 6th, flatted 7th . So to play F Locrian in the G major key, the scale that you would use would go F, G, A, B, C, D, E, F3'.
So let's be perfectly clear if you played C Locrian, you would be playing in the key of D but with the "feeling" of a C major scale. You would "think in" the series C, D, E, F, G, A, B, C'. Those are the notes that you would draw upon.
Imagine playing the C Locrian mode within song written in D. You can probably hear in your head how different it would sound than if you just played the usual D major scale in that song.
The Locrian Mode is not used very much, in truth. There are differing theories as to why. It might be that the Locrian Mode, as it is based on the Leading Tone, is too "suggestive of" the Ionian Mode and thus loses effectiveness. It's also thought that the Locrian Mode sounds so much like the Phrygian Mode that it's barely distinguishable and, so, why should a guitar player learn or use both when Phrygian is so popular?
For the discerning guitar player who wants to learn guitar scales, the Locrian Mode allows for some very pronounced contrast between the solo and the chord progression. When you learn guitar scales, give yourself a great tool with the learning of the Locrian Mode.
Among the guitar modes is the Locrian Mode. You might have heard of the Phrygian Mode before, and the Locrian Mode is quite similar to it. In fact, there is just one note's difference. But that one different note means a lot.
Playing in the Locrian Mode, to put it simply, entails starting and ending a solo or lead break on the 7th note of the "normal" scale. This is the scale that indicates the key that you're playing in. So, if you were playing in the key of G, and you desire to play a solo in Locrian, you'll begin and end the solo on the F note. It doesn't matter which octave either note is, it just matters that your very first and very last notes are each an F.
Playing in F Locrian mode is not the same thing as playing in the F major scale. It also means playing in the key of G in a way that is different than it would be if you simply played G "straight" or, that is, G Ionian.
Advanced guitar players love understanding the intervalic relationship between the notes in a mode, as this allows for deeper understanding of how to use the mode. The intervals for the Locrian Mode go like this Root, flatted 2nd , flatted 3rd ,major 4th ,flatted 5th , flatted 6th, flatted 7th . So to play F Locrian in the G major key, the scale that you would use would go F, G, A, B, C, D, E, F3'.
So let's be perfectly clear if you played C Locrian, you would be playing in the key of D but with the "feeling" of a C major scale. You would "think in" the series C, D, E, F, G, A, B, C'. Those are the notes that you would draw upon.
Imagine playing the C Locrian mode within song written in D. You can probably hear in your head how different it would sound than if you just played the usual D major scale in that song.
The Locrian Mode is not used very much, in truth. There are differing theories as to why. It might be that the Locrian Mode, as it is based on the Leading Tone, is too "suggestive of" the Ionian Mode and thus loses effectiveness. It's also thought that the Locrian Mode sounds so much like the Phrygian Mode that it's barely distinguishable and, so, why should a guitar player learn or use both when Phrygian is so popular?
For the discerning guitar player who wants to learn guitar scales, the Locrian Mode allows for some very pronounced contrast between the solo and the chord progression. When you learn guitar scales, give yourself a great tool with the learning of the Locrian Mode.
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