The classic dramatic works were not intended for publication, but only to representation; it follows that the key principle of classical theater was the pure representability of stories. There are no original manuscripts actually, since the content was continuously varied and modified (in case of actors, which eliminated or changed verses and often replace them with your own). There are no captions, except those implied or reproduced in ages posthumously as marginal notes: these are those really the captions "scenic", evoked by the word (Phoenix plays).
The current scholarly and secular seek to perpetuate as much as possible the worship of ancient literature; between its forms are the "mime-friendly patrician" and "elegiac comedy, " both written in Latin and invoice more literary than dramatic (in fact were read in small circles).
However, Alfred de Musset, whose plays have been performed on stage as his late romantic drama baffled theater directors, developed the idea of theater to read under the "show in a wheelchair." Playwright Ionesco has established new rules for the theater in his book Notes and against pad. These are based mainly on the deterioration of language in favor of theater of absurd. Another playwright of twentieth century following the rules of Ionesco is Beckett. The two main types of plays are comedy and tragedy.
A topic can have tragic drama or comedy, depending on the situations. In sense of common use instead, we tend to designate by this term painful events or life problems, or other events of tragic. Play can be represented by different types of media: live entertainment, film and television.
In general, the derived words have retained the original meaning, tied to a theatrical writing: drama, drama. For the adjective dramatic there are different practice to use more tied to roots for those who work in this discipline on the concept of drama in its sense of tragedy in usual sense. For example, the theater is designated as a skilled dramatic actor in general one who has mastered the art of drama, and it is usual to define a dramatic actor of film or television only in relation to content or tragic conflict of his acting.
The concept of drama and drama is related more to a dialogue not a monologue or a poem (although it could be etymologically related to any form of literature devoted to scene). It is the presence oft least one other actor in dialogue that can better express the main feature of drama: the contrast between at least two different elements. Bernard Shaw, introducing his first volume of plays, says: "There is no play without conflict." A conflict can also occur in a lightweight text, and is its backbone.
They are representations of an occasional nature, consisting of pseudo-ecclesiastical procession led by a boy dressed as a bishop; The procession from the church up to episcopate, in which the clergy and / or the true bishop blessed are fit and ridiculous parody. The bourgeois drama is a theatrical composition representing the characters of small and middle-class or wealthy classes citizens but do not belong to nobility, and describes his daily life, the trials and tribulations, aspirations. It developed in eighteenth and nineteenth centuries.
Theatre, sometimes drama or spectacle, is a type of performing art, which aims to act, talk, produce or display stories, ideas or feelings to an audience. This is usually done through dialogue, namely speech and gestures between the different characters, played, or acted by actors. They must be able to express alternative personalities, ages, voices, sex, and body postures.
The current scholarly and secular seek to perpetuate as much as possible the worship of ancient literature; between its forms are the "mime-friendly patrician" and "elegiac comedy, " both written in Latin and invoice more literary than dramatic (in fact were read in small circles).
However, Alfred de Musset, whose plays have been performed on stage as his late romantic drama baffled theater directors, developed the idea of theater to read under the "show in a wheelchair." Playwright Ionesco has established new rules for the theater in his book Notes and against pad. These are based mainly on the deterioration of language in favor of theater of absurd. Another playwright of twentieth century following the rules of Ionesco is Beckett. The two main types of plays are comedy and tragedy.
A topic can have tragic drama or comedy, depending on the situations. In sense of common use instead, we tend to designate by this term painful events or life problems, or other events of tragic. Play can be represented by different types of media: live entertainment, film and television.
In general, the derived words have retained the original meaning, tied to a theatrical writing: drama, drama. For the adjective dramatic there are different practice to use more tied to roots for those who work in this discipline on the concept of drama in its sense of tragedy in usual sense. For example, the theater is designated as a skilled dramatic actor in general one who has mastered the art of drama, and it is usual to define a dramatic actor of film or television only in relation to content or tragic conflict of his acting.
The concept of drama and drama is related more to a dialogue not a monologue or a poem (although it could be etymologically related to any form of literature devoted to scene). It is the presence oft least one other actor in dialogue that can better express the main feature of drama: the contrast between at least two different elements. Bernard Shaw, introducing his first volume of plays, says: "There is no play without conflict." A conflict can also occur in a lightweight text, and is its backbone.
They are representations of an occasional nature, consisting of pseudo-ecclesiastical procession led by a boy dressed as a bishop; The procession from the church up to episcopate, in which the clergy and / or the true bishop blessed are fit and ridiculous parody. The bourgeois drama is a theatrical composition representing the characters of small and middle-class or wealthy classes citizens but do not belong to nobility, and describes his daily life, the trials and tribulations, aspirations. It developed in eighteenth and nineteenth centuries.
Theatre, sometimes drama or spectacle, is a type of performing art, which aims to act, talk, produce or display stories, ideas or feelings to an audience. This is usually done through dialogue, namely speech and gestures between the different characters, played, or acted by actors. They must be able to express alternative personalities, ages, voices, sex, and body postures.
About the Author:
When you are looking for information about Phoenix plays, pay a visit to the web pages online here today. Details are available at http://www.vyt.com now.
No comments:
Post a Comment