Wednesday, April 24, 2013

A Directing Workshop Teaches Practical Skills And Theory

By Alyssa Riggs


Inexperienced directors will get a taste of moviemaking in a directing workshop. Program attendees will learn how to direct television shows and feature films. Budding talents will get behind the scenes knowledge. They will relish the ability to pose questions without being subject to judgment and improve their craft.

Directing is a multidisciplinary art form. Shooting movies is the only way to learn. And learning is the only way to build a career. This is where such a program provides its value. Access to cameras, tools of the trade and professional assistance is provided to creative individuals, so they learn how to make their own films.

Generally this opportunity provides a breakdown of the techniques used in film and television. Directors have developed different concepts through the evolution of film and television work to achieve specific results. Students will learn the basic aspects of this role. Each program offered is different. Relevant aspects can be taken into account when choosing between different types of programs. Costs will vary depending on the different features offered, such as the length of the program and the type of available equipment.

You should know that workshops may not provide the same type or quantity of equipment. This may also mean equipment that would be useful to students as they try to understand their curriculum. Hence, each offering will offer work experience that may vary. A program could focus more on practical experience than technical knowledge, while another may be a combination of both.

Program graduates may offer insight into the type of training that is offered. Teaching instructors will have the knowledgebase required by the requirements of each workshop. Some instructors will bring practical experience and others will bring technical experience to their role. Some workshops may have more established reputations in the industry. Greater satisfaction will be derived from this experience if a selection has been made after careful evaluation of available offerings.

Focus is on promoting work in the mainstream industry. Some filmmakers could be experimental in their storytelling, while others may not. There is freedom to follow an individual path with the end goal that of telling a story effectively. There are other alternatives to acquiring similar experience. There are different venues available today that widens the choice. It is up to aspiring director to determine which one is appropriate and affordable. There are university or film school programs. Seminars and other types of events also offer learning opportunities. For people wishing to learn about specific subjects different resources bring flexible options.

Anyone interested in what kind of jobs may be available, should know it is possible to locate jobs. After joining such workshops, graduates will know not only how to work on projects led by others, but to create their own projects and promote their own work. They will have sufficient skills for entry level positions. Without a contact base or prior experience, locating work is an uphill task. Upon graduation, alumna will be better able to overcome this challenge. Alumna need not limit themselves to the television and movies. They may find work outside the industry.

In filmmaking, men continue to dominate the field, while women and other traditionally marginalized groups find themselves left out. To support women, the AFI Directing Workshop for Women, DWW, was founded in 1974 to correct the gender imbalance in Hollywood, which unfortunately still remains a systemic problem. It was the only program established with the intention of supporting women directors. Its goal was to help them realize their dream of directing feature films. A directing workshop provides education and valuable experience to help start a career.




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