Designed for small to medium sized venues and productions, the IM8 series is here to cater to your high quality audio needs. Available in three models the -24, -32, and the -40 mono channels mixing operators will surely have a lot of choices all at their disposal.
Though the mono channels are the only ones that differ in the series, there is no need to fret because everything is as standard as it could get.
At a size of 570 x 80 x 290, the IM8-40 is just less of a rulers length shorter than the -24. With its large familiar layout, operators will have an easy experience going through this console.
More on this unit's numbers, the console also includes the IM8 standard eight groups, four stereo channels, eight auxiliary buses, the four-strip matrix, and mono out buses -- all those topped by the 32 mono channels. The famous single-knob compressor found only in the Yamaha is also present for an easy dialing-in on the amount of compression needed without the hustle of maintaining multiple controls.
There is also built-in microphone preamps that was inherited from the other Yamaha models. An equalizer that also responds well to even just a little adjustments.
The master section contains 100mm long travel faders and metering on all ins and outs. On the other hand, LED meters are readily at hand to make it a simple job of monitoring on stereo output levels, the AFL, and the PFL points. Most of all, the IM8 also offers USB connectivity that can be used both for recording and playback.
The IM8 series is just one of the best Yamaha products created for smaller venues and applications. If the mixer shall be used mainly for handling choirs and small productions but the user thinks that the -24 is too limited, then the -32 is the safest way to go.
Upgrading to the -32 is well worth it compared to the IM8-24. Saving the customer not just on money, he or she can also save on precious time when the mixer is left to its usual setting without the need for readjustments every time it is needed for use.
Though the mono channels are the only ones that differ in the series, there is no need to fret because everything is as standard as it could get.
At a size of 570 x 80 x 290, the IM8-40 is just less of a rulers length shorter than the -24. With its large familiar layout, operators will have an easy experience going through this console.
More on this unit's numbers, the console also includes the IM8 standard eight groups, four stereo channels, eight auxiliary buses, the four-strip matrix, and mono out buses -- all those topped by the 32 mono channels. The famous single-knob compressor found only in the Yamaha is also present for an easy dialing-in on the amount of compression needed without the hustle of maintaining multiple controls.
There is also built-in microphone preamps that was inherited from the other Yamaha models. An equalizer that also responds well to even just a little adjustments.
The master section contains 100mm long travel faders and metering on all ins and outs. On the other hand, LED meters are readily at hand to make it a simple job of monitoring on stereo output levels, the AFL, and the PFL points. Most of all, the IM8 also offers USB connectivity that can be used both for recording and playback.
The IM8 series is just one of the best Yamaha products created for smaller venues and applications. If the mixer shall be used mainly for handling choirs and small productions but the user thinks that the -24 is too limited, then the -32 is the safest way to go.
Upgrading to the -32 is well worth it compared to the IM8-24. Saving the customer not just on money, he or she can also save on precious time when the mixer is left to its usual setting without the need for readjustments every time it is needed for use.
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Want to find out more about yamaha mixers, then visit Robert Gill's site to get the best information on the Yamaha-IM8-32 for your needs.
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