If you are reading this right now you may be looking for a Dallas location sound mixer. You could either be a movie producer or sub contracted to source a local production mixing company or individual in the Dallas area. This article should give you some tips in sourcing for a good sound or production outfit.
A good referral from someone who knows will be one of your best bets. Try to look for someone who has had some work done in Dallas and inquire if they can recommend any good choices for. This is a great plus, especially if the person you asked has done any audio production outsourcing in the area recently.
Do look in the internet for more choices, or even the local yellow pages if you have access to it. This is a good move as it will give you contact names and addresses you can call or visit. Once contacted, ask each of these contacts the kind of work they have done and what they can do for you. Ask about any past projects that they feel is noteworthy of their skills and of your business with them.
Next of prime importance is an equipment check. If you can ask the provider or sound producer a list of the equipment he has on hand and see if it fits your needs. A good producer should be able to provide what you need at the minimum on the site so that you yourself are not bogged down with your own equipment. Make sure he has the requisite number of microphones and recording apparatus to make your work go smoother, as well as the required number of personnel to help him.. If he or she is a one man outfit, there might be some concern.
At the onset know what you really need from the guys doing your local audio mix and production. Tell them if you either need mono, surround or even stereo sound, or a combination of all. Putting your expectations right away at the table will save you headaches much later.
The ability of the contractor you have in mind to provide a boom operator and utility sound technician is also important. This means that you will have less time to worry about manpower in terms of the requirements. It will also show that the one you want to hire is really organized and knows his stuff.
How much authority the audio people get on the set should also be set in the conditions of the contract. This is so that they do not interfere too much with what you want to do by being at certain locations during the shoot and other such things. How much also they can shuffle things around on the set to give better sound should be stipulated or agreed upon before anything starts.
Finally look for a good attitude in the people you are hiring from a local Dallas location sound company or outfit. Look for one that is not too pushy when on the set and expecting everything go their way, nor one that is too submissive that they are too afraid to give good recommendations when needed. Get a company that is pleasant to work with and professional in their approach and teamwork.
A good referral from someone who knows will be one of your best bets. Try to look for someone who has had some work done in Dallas and inquire if they can recommend any good choices for. This is a great plus, especially if the person you asked has done any audio production outsourcing in the area recently.
Do look in the internet for more choices, or even the local yellow pages if you have access to it. This is a good move as it will give you contact names and addresses you can call or visit. Once contacted, ask each of these contacts the kind of work they have done and what they can do for you. Ask about any past projects that they feel is noteworthy of their skills and of your business with them.
Next of prime importance is an equipment check. If you can ask the provider or sound producer a list of the equipment he has on hand and see if it fits your needs. A good producer should be able to provide what you need at the minimum on the site so that you yourself are not bogged down with your own equipment. Make sure he has the requisite number of microphones and recording apparatus to make your work go smoother, as well as the required number of personnel to help him.. If he or she is a one man outfit, there might be some concern.
At the onset know what you really need from the guys doing your local audio mix and production. Tell them if you either need mono, surround or even stereo sound, or a combination of all. Putting your expectations right away at the table will save you headaches much later.
The ability of the contractor you have in mind to provide a boom operator and utility sound technician is also important. This means that you will have less time to worry about manpower in terms of the requirements. It will also show that the one you want to hire is really organized and knows his stuff.
How much authority the audio people get on the set should also be set in the conditions of the contract. This is so that they do not interfere too much with what you want to do by being at certain locations during the shoot and other such things. How much also they can shuffle things around on the set to give better sound should be stipulated or agreed upon before anything starts.
Finally look for a good attitude in the people you are hiring from a local Dallas location sound company or outfit. Look for one that is not too pushy when on the set and expecting everything go their way, nor one that is too submissive that they are too afraid to give good recommendations when needed. Get a company that is pleasant to work with and professional in their approach and teamwork.
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